Artist
Friedrich Kunath
Drawn from 133 recorded results (117 sold · 16 passed) across 12 auction houses, 1999–2026. 1 upcoming lot on the ledger. What we cover
Median sold price by year typical estimate range median result USD, incl. premium; 97% observed, 3% estimated from hammer method · log scale
Where does a value land in this market?
Every sold result for this market, low to high (log scale) — the dashed line is the median. Enter a value to see where it lands.
By medium where medium is recorded or stated in the catalog line
| Medium | Results | Sell-through | Median result (USD) |
|---|---|---|---|
| painting | 22 | 100% | $21,110 |
| works on paper | 5 | 50% | $2,312 |
| prints | 4 | 100% | $8,603 |
Medium is recorded for 31 of 133 results (23%) — rows above cover that subset; the rest of the record is in the full ledger below.
Compared with Andy Warhol Friedrich Kunath Andy Warhol
| Metric | Friedrich Kunath | Andy Warhol |
|---|---|---|
| Median result | $16,510 | $32,500 |
| Record price | $118,750 | $195,040,000 |
| Results on record | 133 | 15,103 |
| Years active at auction | 1999–2026 | 1998–2026 |
Related artists: Andy WarholGeorge CondoDamien HirstVik Muniz
Market strength liquidity score, 0–100 · method
- Sell-through82%
- Meets estimate42%
- Market depth133 results
How readily and near-estimate this market clears — sell-through, estimate reliability, and depth, blended into one score. "Meets estimate" is the share of sold lots hammering at or above the low estimate, over catalogs that print a real appraisal: a house whose printed low is a starting bid would meet its estimate on every lot, so those lots are excluded from this term only — their prices and outcomes still count in the other two. Method →
Where this artist sells best
| House | Results | Sell-through | Median | vs. estimate |
|---|---|---|---|---|
| Sotheby's | 49 | 85% | $13,750 | 0.69× |
| Phillips | 46 | 76% | $22,680 | — |
| Christie's | 20 | 100% | $18,676 | — |
| Grisebach | 4 | — | $15,942 | — |
| Bonhams | 3 | 100% | $7,800 | 0.96× |
| Heritage Auctions | 4 | 75% | $1,375 | — |
| Freeman's | Hindman | 2 | 100% | $5,420 | 0.52× |
| Dorotheum | 2 | 100% | $18,001 | — |
| Lempertz | 1 | 100% | $3,541 | — |
| Wright | 1 | 100% | $5,080 | — |
| Ketterer Kunst | 1 | — | $38,668 | — |
| VAN HAM Kunstauktionen GmbH Co. KG | 1 | 100% | $34,262 | 1.24× |
The same artist across every house we cover — hammer-vs-estimate side by side. A dash in the estimate column can mean withheld rather than unpublished: the house publishes no hammer price, or its printed low is a starting bid rather than an appraisal. Method →
Prices realized 135 recorded lots — sold, passed, and upcoming — results in USD incl. premium; est. marks a premium estimated from the house's schedule ✓ Includes 16 passed lots
| Date | Lot | Medium | vs. estimate | Estimate USD | Result USD, incl. premium | House |
|---|---|---|---|---|---|---|
| 35 realized prices on this page are locked. A Research Pass reads 50 of them for $39, once — buy a pass | ||||||
| 2015·07 | Untitled | three elements--watercolor on paper | $5,000–$7,000 | Christie's | ||
| 2015·07 | Untitled | acrylic and metallic paint on linen | $26,967–$40,450 | Christie's | ||
| 2015·07 | Almost Summer | oil, acrylic and silkscreen ink on linen | $33,708–$47,192 | Christie's | ||
| 2015·06 | Ohne Titel. 2006 | Mixed media on canvas | $4,616–$6,923 | Grisebach | ||
| 2015·05 | My Fault Your Fault | $40,000–$60,000 | Sotheby's | |||
| 2015·03 | Untitled, 2005 | $1,000–$1,500 | Bonhams | |||
| 2015·03 | Us Late Travellers | acrylic, India ink, lacquer and watercolor on linen | $12,000–$18,000 | Christie's | ||
| 2015·03 | Untitled | $4,000–$6,000 | Phillips | |||
| 2015·03 | Untitled | $5,000–$7,000 | Phillips | |||
| 2014·11 | And I lived my life like a sandal in the wind | $20,000–$30,000 | Sotheby's | |||
| 2014·10 | Ragazzo dell'Europa (Helmut Berger) | $33,708–$47,192 | Phillips | |||
| 2014·09 | Untitled (Romy) | $8,000–$12,000 | Sotheby's | |||
| 2014·07 | Frühling und Schicksal (Spring and Fate) | $20,225–$26,967 | Phillips | |||
| 2014·06 | Untitled (Self-Portrait) | $2,000–$4,000 | Sotheby's | |||
| 2014·06 | Untitled | $6,000–$8,000 | Sotheby's | |||
| 2014·05 | Untitled (Rockin) | $12,000–$18,000 | Phillips | |||
| 2014·05 | Painting by Numbers, Tropical Depression | $35,000–$45,000 | Sotheby's | |||
| 2014·02 | Untitled | $13,483–$20,225 | Phillips | |||
| 2013·06 | Untitled | $33,708–$47,192 | Sotheby's | |||
| 2013·06 | Untitled (Loneliness Finds Her Own Way.) | $5,000–$7,000 | Sotheby's | |||
| 2013·05 | Strange Fires | $80,000–$120,000 | Sotheby's | |||
| 2013·04 | Untitled | $6,742–$9,438 | Phillips | |||
| 2013·03 | Untitled | $8,000–$12,000 | Phillips | |||
| 2012·06 | Untitled (Got to Get you Out of My Life) and Untitled; Two Works | $2,000–$3,000 | Sotheby's | |||
| 2012·06 | untitled (my kind of a tree; and your kind); untitled: two works (three parts) | $2,000–$3,000 | Sotheby's | |||
| 2011·11 | Untitled (Take the long way home) | $15,000–$20,000 | Sotheby's | |||
| 2011·11 | Untitled (Let the Distance Keep Us Together) | acrylic, India ink, lacquer, silkscreen and watercolor on canvas | $30,000–$50,000 | Christie's | ||
| 2011·09 | untitled (my kind of a tree; and your kind); untitled: two works (three parts) | $6,000–$8,000 | Sotheby's | |||
| 2011·09 | Untitled (Got to Get you Out of My Life) and Untitled; Two Works | $6,000–$8,000 | Sotheby's | |||
| 2011·03 | i am not afraid of death | $10,000–$15,000 | Sotheby's | |||
| 2010·12 | untitled | $4,000–$6,000 | Sotheby's | |||
| 2008·12 | Let forever be delayed | oil on canvas | $13,483–$20,225 | Christie's | ||
| 2006·10 | The sea isn't a good place to think about the future | acrylic, Indian ink, lacquer and watercolour on canvas | $12,135–$16,180 | Christie's | ||
| 2006·05 | Sad Polo (One of these days these days will end) | acrylic, Indian ink, pencil, colour pencils and watercolour on canvas | $13,847–$20,770 | Christie's | ||
| 1999·06 | Isola Bella, Lago Maggiore | $1,348–$2,022 | Christie's | |||
Realized prices are sold by the record: 50 for $39, non-expiring. Reading them at volume is what Starter is for.