Artist
Gérard Schneider
Drawn from 112 recorded results (106 sold · 6 passed) across 12 auction houses, 1998–2026. 1 upcoming lot on the ledger. What we cover
Median sold price by year typical estimate range median result USD, incl. premium; 98% observed, 2% estimated from hammer method · log scale
Where does a value land in this market?
The same figure also answers the seller's question: which house clears a work like this, and for how much — expected proceeds by house, from the sell-through the rest of this page is built on.
Every sold result for this market, low to high (log scale) — the dashed line is the median. Enter a value to see where it lands.
By medium where medium is recorded or stated in the catalog line
| Medium | Results | Sell-through | Median result (USD) |
|---|---|---|---|
| painting | 34 | 100% | $24,911 |
| works on paper | 14 | 0% | $3,973 |
Medium is recorded for 48 of 112 results (43%) — rows above cover that subset; the rest of the record is in the full ledger below.
Compared with Arman Gérard Schneider Arman
| Metric | Gérard Schneider | Arman |
|---|---|---|
| Median result | $17,670 | $12,504 |
| Record price | $366,560 | $481,188 |
| Results on record | 112 | 2,090 |
| Years active at auction | 1998–2026 | 1998–2026 |
Related artists: ArmanVictor VasarelyCésarHans Hartung
Market strength liquidity score, 0–100 · method
- Sell-through88%
- Meets estimate74%
- Market depth112 results
How readily and near-estimate this market clears — sell-through, estimate reliability, and depth, blended into one score. "Meets estimate" is the share of sold lots hammering at or above the low estimate, over catalogs that print a real appraisal: a house whose printed low is a starting bid would meet its estimate on every lot, so those lots are excluded from this term only — their prices and outcomes still count in the other two. Method →
Where this artist sells best
| House | Results | Sell-through | Median | vs. estimate |
|---|---|---|---|---|
| Sotheby's | 48 | 95% | $20,693 | 0.98× |
| Christie's | 22 | 100% | $31,956 | — |
| Artcurial | 21 | — | $6,715 | 1.12× |
| Dorotheum | 12 | 83% | $10,228 | — |
| Koller | 2 | — | $2,789 | — |
| Phillips | 1 | 100% | $30,565 | — |
| Lempertz | 1 | 100% | $26,028 | — |
| Matsart | 1 | 100% | $26,865 | 0.95× |
| Ansorena | 1 | 100% | $75,096 | — |
| Bertolami Fine Art | 1 | 0% | — | — |
| Daliano Ribani Auctions | 1 | 0% | — | — |
| Subastas Darley | 1 | 0% | — | — |
The same artist across every house we cover — hammer-vs-estimate side by side. A dash in the estimate column can mean withheld rather than unpublished: the house publishes no hammer price, or its printed low is a starting bid rather than an appraisal. Method →
Prices realized 113 recorded lots — sold, passed, and upcoming — results in USD incl. premium; est. marks a premium estimated from the house's schedule ✓ Includes 6 passed lots
| Date | Lot | Medium | vs. estimate | Estimate USD | Result USD, incl. premium | House |
|---|---|---|---|---|---|---|
| 13 realized prices on this page are locked. A Research Pass reads 50 of them for $19, once — buy a pass | ||||||
| 2005·06 | Opus 53 I | $10,929–$14,572 | Sotheby's | |||
| 2005·06 | Untitled | $7,286–$10,929 | Sotheby's | |||
| 2005·04 | Opus 502 | huile sur toile | $19,230–$25,640 | Christie's | ||
| 2005·04 | Composition | acrylic on paper laid down on canvas | $5,632–$9,386 | Christie's | ||
| 2005·02 | 97B | $9,352–$13,093 | Sotheby's | |||
| 2005·02 | 38g | $9,352–$13,093 | Sotheby's | |||
| 2004·12 | Sans titre | huile sur toile | $19,971–$26,628 | Christie's | ||
| 2004·05 | Composition | encre, lavis d'encre et pastel sur papier | $605–$968 | Christie's | ||
| 2001·09 | Senza titolo | $3,556–$5,335 | Christie's | |||
| 2000·10 | Senza titolo | $6,734–$8,417 | Christie's | |||
| 1999·09 | Composizione 40 G | $8,530–$12,794 | Christie's | |||
| 1998·12 | An abstract composition | $29,472–$41,262 | Christie's | |||
| 1998·07 | Composition (37D) | acrylic on canvas | $11,530–$16,471 | Christie's | ||
Realized prices are sold by the record: 50 for $19, non-expiring. Reading them at volume is what Starter is for.