Retrospective · Phillips scored
Modern & Contemporary Art Evening Sale
Phillips, London · 16 October 2025 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.
Result scored 2026-09-16 · final
Forecast 83% (range 63–100%). Result 82%: 18 of 22 scored lots sold, 4 unsold or withdrawn. Inside the range, 1 pts below the forecast.
Ten lowest-scored lots: 2 of 10 unsold vs 2 of 12 others (the model expected about 2 of the ten unsold).
Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →
Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.
Lowest modeled probabilities the ten lowest of 22 scored lots
| Lot | Artist | Work | Estimate | Probability | Result |
|---|---|---|---|---|---|
| 20 | Anish Kapoor | Mirror (Organic Green to Dark Purple) | £500,000–£700,000 | 76% | sold |
| 13 | Sigmar Polke | I Can't Stand it Anymore! | £600,000–£800,000 | 77% | unsold or withdrawn |
| 23 | Robert Rauschenberg | Gospel Yodel (Salvage Series) | £350,000–£550,000 | 79% | sold |
| 24 | Glenn Brown | The Revolutionary Corps of Teenage Jesus | £150,000–£250,000 | 82% | sold |
| 12 | Pierre Soulages | Peinture 202 x 143 cm, 14 août 2015 | £600,000–£800,000 | 82% | sold |
| 22 | Hernan Bas | Conceptual Artist #6 (by combining different grave rubbings he invents lives that never existed) | £300,000–£500,000 | 82% | sold |
| 19 | Damien Hirst | Calcium Hydroxide | £400,000–£600,000 | 82% | sold |
| 5 | Steven Shearer | Synthist | £150,000–£200,000 | 83% | sold |
| 15 | Andy Warhol | Giorgio Armani | £600,000–£800,000 | 83% | unsold or withdrawn |
| 2 | Emma Mcintyre | Seven types of ambiguity | £50,000–£70,000 | 83% | sold |
In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.
By estimate band low estimate in USD
| Band | Lots | Expected | Low estimate |
|---|---|---|---|
| $50k+ | 22 | 83% | $13M |
Context evening sales at Phillips, trailing year
Over the year before the sale (2024-10-16 to 2025-10-15), Phillips sold 89% of the 137 lots with a recorded outcome in its 5 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.
Every scored lot 22 lots in catalog order, each with the lot-specific factor that moved it most
Shared by every lot on this card, so not repeated in the table: house rate 81%, n=100,756 · evening sales clear 88%, n=26,459 · October sales clear 72%, n=457,310 · art lots clear 72%, n=1,435,307.
| Lot | Artist | Work | Estimate GBP | Probability | Why | Result |
|---|---|---|---|---|---|---|
| 1 | Martha Jungwirth | Untitled | £80,000–£120,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 2 | Emma Mcintyre | Seven types of ambiguity | £50,000–£70,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 3 | Sasha Gordon | Drive Through | £80,000–£120,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 4 | Derek Fordjour | Regatta Pattern Study | £300,000–£500,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 5 | Steven Shearer | Synthist | £150,000–£200,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 6 | Noah Davis | Mitrice Richardson | £350,000–£550,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 8 | Flora Yukhnovich | My Body knows Un-Heard of Songs | £900,000–£1,500,000 | 89% | artist clears 83% at panel houses, n=43 | sold |
| 9 | Banksy | Kate Moss | £700,000–£1,000,000 | 85% | artist clears 88% at panel houses, n=1,424 | unsold or withdrawn |
| 10 | Sean Scully | Wall of Light Summer Night 5.10 | £600,000–£800,000 | 83% | artist clears 85% at panel houses, n=322 | sold |
| 11 | Bernar Venet | 222.5° Arc x 13 | £250,000–£350,000 | 83% | artist clears 85% at panel houses, n=188 | sold |
| 12 | Pierre Soulages | Peinture 202 x 143 cm, 14 août 2015 | £600,000–£800,000 | 82% | estimate 125× the artist's median hammer (the model caps this term at 32×) | sold |
| 13 | Sigmar Polke | I Can't Stand it Anymore! | £600,000–£800,000 | 77% | estimate 15× the artist's median hammer | unsold or withdrawn |
| 14 | Jean-Michel Basquiat | Untitled (Pestus) | £2,000,000–£3,000,000 | 84% | artist clears 86% at panel houses, n=407 | sold |
| 15 | Andy Warhol | Giorgio Armani | £600,000–£800,000 | 83% | artist clears 85% at panel houses, n=5,598 | unsold or withdrawn |
| 18 | Banksy | Pest Control - Banksus Militus Vandalus | £350,000–£450,000 | 86% | artist clears 88% at panel houses, n=1,424 | sold |
| 19 | Damien Hirst | Calcium Hydroxide | £400,000–£600,000 | 82% | estimate 133× the artist's median hammer (the model caps this term at 32×) | sold |
| 20 | Anish Kapoor | Mirror (Organic Green to Dark Purple) | £500,000–£700,000 | 76% | estimate 146× the artist's median hammer (the model caps this term at 32×) | sold |
| 21 | Vojtěch Kovařík | Laocoon | £80,000–£120,000 | 83% | sits at the house rate of 81%, n=100,756 | sold |
| 22 | Hernan Bas | Conceptual Artist #6 (by combining different grave rubbings he invents lives that never existed) | £300,000–£500,000 | 82% | estimate 49× the artist's median hammer (the model caps this term at 32×) | sold |
| 23 | Robert Rauschenberg | Gospel Yodel (Salvage Series) | £350,000–£550,000 | 79% | estimate 302× the artist's median hammer (the model caps this term at 32×) | sold |
| 24 | Glenn Brown | The Revolutionary Corps of Teenage Jesus | £150,000–£250,000 | 82% | artist clears 68% at panel houses, n=58 | sold |
| 26 | Andreas Gursky | Love Parade | £150,000–£250,000 | 83% | estimate 4.9× the artist's median hammer | unsold or withdrawn |
Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.
Method and citation
- What is forecast. Each lot with a printed estimate is scored by TheBasis.Art's sell-probability model — a weighted logistic regression on the measured sell-through of the estimate band, the house, the artist, the sale type, the month and the category, plus the estimate's spread and its position against the artist's median hammer — trained only on houses and years whose archives record bought-in lots. Sell probability →
- The range. Expected sold is the sum of the probabilities; the 80% range is a normal approximation on that count with the binomial spread widened 1.9× for lots moving together, measured over last season's evening sales. Forecast method →
- Scoring. After the sale, over the lots the card scored: sold=false is "unsold or withdrawn" because the record cannot tell the two apart; the card is scored once half the lots have a result and is final once 95% have or 30 days have passed.
- Model. Trained on 4,926,256 panel lots through 2025-09-15, validated on 920,195 held-out lots (AUC 0.713, Brier 0.193).
- Cite as: TheBasis.Art, "Retrospective: Phillips, Modern & Contemporary Art Evening Sale, 16 October 2025", https://thebasis.art/research/forecasts/1089. Issued 2026-09-16, scored 2026-09-16.
Press and data enquiries: [email protected]. The payload behind this card is served by the data API.