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Retrospective · Christie's scored

Old Masters Evening Sale

Christie's, London · 30 June 2026 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.

Result scored 2026-09-17 · final

Forecast 92% (range 81–100%). Result 100%: 35 of 35 scored lots sold, 0 unsold or withdrawn, 4 with no result recorded yet. Inside the range, 8 pts above the forecast.

Ten lowest-scored lots: 0 of 9 unsold vs 0 of 26 others (the model expected about 1 of the ten unsold).

Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →

92% range 81–100%expected sell-through by lotof the 39 lots with a printed estimate
90%by low-estimate valueof $34M low estimate (USD; sale currency GBP)
36 31–39expected soldof 39 scored lots
0unscoredno printed estimate
2025-09-15model data through4,926,256 panel lots

Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.

Lowest modeled probabilities the ten lowest of 39 scored lots

LotArtistWorkEstimateProbabilityResult
10 SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) Portrait of Arthur Wellesley, 1st Duke of Wellington, K.G., K.B., M.P. (1769-1852), bust-length, in civilian dress with a military cloak, wearing the insignia of the Order of the Golden Fleece £8,000,000–£12,000,000 86% sold
11 SIR THOMAS LAWRENCE, P.R.A. (BRISTOL 1769-1830 LONDON) Portrait of Marianne Patterson, later Marchioness of Wellesley (1788-1853), half-length, in a feigned oval £100,000–£150,000 86% sold
5 DUTCH SCHOOL, 17TH CENTURY Two skulls with a quill and paper on a marble ledge £80,000–£120,000 89% sold
15 Sir Peter Paul Rubens Aeneas helping Dido from her horse - a sketch £2,000,000–£3,000,000 89% sold
1 SWABIAN SCHOOL, 1552 The Holy Kinship with a donor portrait of a Dominican nun of the noble Swabian family von Kaltenthal £60,000–£80,000 92% sold
2 MASTER OF THE OBERSTENFELD ALTARPIECE (ACTIVE C. 1512-16 SOUTHERN GERMANY) The Resurrection of Christ £150,000–£200,000 92% no result yet
7 Jan Van Huysum Peaches and grapes in a wicker basket, with fruit and flowers arranged on a marble ledge, including plums, raspberries, redcurrants, melon, hazelnuts, poppy, morning glory, forget-me-not, cockscomb and jasmine, a stone column and terracotta urn beyond, decorated with putti, holding an opium poppy, with butterflies and insects £3,000,000–£4,000,000 92% sold
24 Frans Francken II The Triumph of Neptune and Amphitrite £150,000–£200,000 92% sold
27 Antonio Joli Rome, a view of the Colosseum and the Arch of Constantine £150,000–£200,000 92% sold
28 Antonio Joli Rome, a view of the Tiber looking towards the Ponte and Castel Sant'Angelo, with Saint Peter's Basilica beyond £150,000–£200,000 92% sold

In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.

By estimate band low estimate in USD

BandLotsExpectedLow estimate
$50k+3992%$34M

Context evening sales at Christie's, trailing year

Over the year before the sale (2025-06-30 to 2026-06-29), Christie's sold 93% of the 645 lots with a recorded outcome in its 17 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.

Every scored lot 39 lots in catalog order, each with the lot-specific factor that moved it most

Unlock the per-lot scores The sale forecast, the ten lowest-scored lots and the model's validation are open. The per-lot table — every lot's probability and the factor that moved it — comes with a pass or a subscription.

Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.

Method and citation

Press and data enquiries: [email protected]. The payload behind this card is served by the data API.

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