Retrospective · Sotheby's scored
Modern & Contemporary Evening Auction
Sotheby's, Hong Kong · 28 September 2025 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.
Result scored 2026-09-16 · final
Forecast 91% (range 80–100%). Result 92%: 37 of 40 scored lots sold, 3 unsold or withdrawn. Inside the range, 2 pts above the forecast.
Ten lowest-scored lots: 0 of 10 unsold vs 3 of 30 others (the model expected about 1 of the ten unsold).
Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →
Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.
Lowest modeled probabilities the ten lowest of 40 scored lots
| Lot | Artist | Work | Estimate | Probability | Result |
|---|---|---|---|---|---|
| 38 | Zhang Xiaogang | Bloodline - Big Family No. 7: Siblings 血緣 - 大家庭7號:姐妹 | HK$4,000,000–HK$6,000,000 | 85% | sold |
| 27 | Marc Chagall | Les fleurs de l'amour ou Les iris 愛情之花或鳶尾花 | HK$9,500,000–HK$14,000,000 | 86% | sold |
| 41 | Bernard Buffet | Zinnias, vase à anses 花瓶中的百日菊 | HK$1,600,000–HK$2,600,000 | 87% | sold |
| 25 | Chu Teh-chun | Mouvement ascendant 上升移動 | HK$4,000,000–HK$6,000,000 | 87% | sold |
| 42 | Chu Teh-chun | No. 36 36號構圖 | HK$3,000,000–HK$5,000,000 | 88% | sold |
| 22 | Takeo Yamaguchi | Ho (Crawl) 匍 | HK$6,000,000–HK$8,000,000 | 90% | sold |
| 1 | — | Li Hei Di 李黑地 | There Was One Summer Returning Over and Over; There Was One Dawn I Grew Old Watching 夏天總是去而復返;我注視著晨光慢慢老去 | HK$700,000–HK$1,000,000 | 90% | sold |
| 32 | Liang Yuanwei | Piece of Life 17 生活的片斷 17 | HK$4,000,000–HK$6,000,000 | 90% | sold |
| 14 | Wayne Thiebaud | Cantaloupe 蜜瓜 | HK$7,000,000–HK$10,000,000 | 90% | sold |
| 4 | Hilary Pecis | Coffee Table 咖啡桌 | HK$2,400,000–HK$4,000,000 | 90% | sold |
In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.
By estimate band low estimate in USD
| Band | Lots | Expected | Low estimate |
|---|---|---|---|
| $50k+ | 40 | 91% | $33M |
Context evening sales at Sotheby's, trailing year
Over the year before the sale (2024-09-28 to 2025-09-27), Sotheby's sold 87% of the 539 lots with a recorded outcome in its 15 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.
Every scored lot 40 lots in catalog order, each with the lot-specific factor that moved it most
Shared by every lot on this card, so not repeated in the table: house rate 88%, n=534,208 · evening sales clear 88%, n=26,459 · September sales clear 72%, n=393,154 · art lots clear 72%, n=1,435,307.
| Lot | Artist | Work | Estimate HKD | Probability | Why | Result |
|---|---|---|---|---|---|---|
| 1 | — | Li Hei Di 李黑地 | There Was One Summer Returning Over and Over; There Was One Dawn I Grew Old Watching 夏天總是去而復返;我注視著晨光慢慢老去 | HK$700,000–HK$1,000,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 2 | — | Lalan 謝景蘭 | The Earth is Far Away 遙遠的地球 | HK$1,400,000–HK$2,400,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 3 | Christine Ay Tjoe | Large Space of Shoots #1 遍地皆苗 1 號 | HK$600,000–HK$800,000 | 95% | artist clears 87% at panel houses, n=61 | sold |
| 4 | Hilary Pecis | Coffee Table 咖啡桌 | HK$2,400,000–HK$4,000,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 5 | Matthew Wong | Into the Night 長夜行 | HK$3,800,000–HK$5,500,000 | 95% | artist clears 87% at panel houses, n=63 | sold |
| 6 | Louise Bourgeois | À Baudelaire (#5) 致波特萊爾(5號) | HK$6,200,000–HK$8,200,000 | 91% | artist clears 87% at panel houses, n=444 | sold |
| 7 | — | The Lower Part of a Roman Marble Figure of Aphrodite, circa 2nd Century A.D. | 羅馬大理石阿芙羅狄蒂雕像下半身,約公元 2 世紀 | HK$1,200,000–HK$2,000,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 8 | Roy Lichtenstein | Scholar's Rock 文人石 | HK$1,000,000–HK$1,500,000 | 93% | artist clears 88% at panel houses, n=1,963 | sold |
| 9 | Roy Lichtenstein | Water Lilies with Japanese Bridge 睡蓮與日式橋 | HK$3,000,000–HK$5,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 10 | Roy Lichtenstein | Vista with Bridge 遠景與橋 | HK$28,000,000–HK$35,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 11 | Roy Lichtenstein | Bonsai Tree (Study) 盆景樹(習作) | HK$2,000,000–HK$3,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 12 | Roy Lichtenstein | Reflections on Girl (Study) 反射系列:女孩(習作) | HK$2,000,000–HK$3,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 13 | Rashid Johnson | Untitled Escape Collage 無題 逃脫拼貼 | HK$3,000,000–HK$4,000,000 | 91% | artist clears 87% at panel houses, n=222 | unsold or withdrawn |
| 14 | Wayne Thiebaud | Cantaloupe 蜜瓜 | HK$7,000,000–HK$10,000,000 | 90% | artist clears 85% at panel houses, n=532 | sold |
| 15 | Takashi Murakami | Flower Parent and Child 花朵家長與孩子 | HK$8,000,000–HK$16,000,000 | 92% | artist clears 87% at panel houses, n=1,577 | sold |
| 16 | Pablo Picasso | Buste d'homme 男子半身像 | HK$15,500,000–HK$25,000,000 | 91% | artist clears 87% at panel houses, n=9,299 | sold |
| 17 | Yoshitomo Nara | Sprout the Ambassador 芽苗小使者 | HK$9,000,000–HK$15,000,000 | 91% | artist clears 87% at panel houses, n=996 | sold |
| 18 | Yoshitomo Nara | Can't Wait 'til the Night Comes 等不及夜幕降臨 | HK$65,000,000–HK$85,000,000 | 91% | artist clears 87% at panel houses, n=996 | sold |
| 20 | Yayoi Kusama | Oil No. 19 油畫19號 | HK$3,500,000–HK$7,000,000 | 93% | artist clears 90% at panel houses, n=1,350 | sold |
| 21 | Kazuo Shiraga | Work 作品 | HK$10,000,000–HK$15,000,000 | 91% | artist clears 86% at panel houses, n=115 | sold |
| 22 | Takeo Yamaguchi | Ho (Crawl) 匍 | HK$6,000,000–HK$8,000,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 23 | Lee Ufan | From Winds 從風 | HK$5,000,000–HK$7,000,000 | 91% | artist clears 81% at panel houses, n=100 | sold |
| 24 | Christine Ay Tjoe | Verso of the Landscape 風景背後 | HK$6,200,000–HK$12,000,000 | 95% | artist clears 87% at panel houses, n=61 | sold |
| 25 | Chu Teh-chun | Mouvement ascendant 上升移動 | HK$4,000,000–HK$6,000,000 | 87% | estimate 125× the artist's median hammer (the model caps this term at 32×) | sold |
| 26 | Zao Wou-ki | 12.02.2004 - Vague rouge blanc bleu 12.02.2004 - 朦朧的紅白藍 | HK$10,000,000–HK$15,000,000 | 91% | artist clears 86% at panel houses, n=690 | sold |
| 27 | Marc Chagall | Les fleurs de l'amour ou Les iris 愛情之花或鳶尾花 | HK$9,500,000–HK$14,000,000 | 86% | estimate 410× the artist's median hammer (the model caps this term at 32×) | sold |
| 28 | Mai Trung Thu | La calligraphie 書法 | HK$2,500,000–HK$5,000,000 | 93% | artist clears 89% at panel houses, n=151 | sold |
| 29 | Le Pho | La lecture 閱讀 | HK$5,000,000–HK$8,000,000 | 94% | artist clears 91% at panel houses, n=458 | sold |
| 32 | Liang Yuanwei | Piece of Life 17 生活的片斷 17 | HK$4,000,000–HK$6,000,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 33 | Takashi Murakami | Flower Sparkles! 繽紛花朵! | HK$3,000,000–HK$5,000,000 | 91% | artist clears 87% at panel houses, n=1,577 | sold |
| 34 | Huang Yuxing | CBD During Special Times 特殊時期下的CBD | HK$2,000,000–HK$3,000,000 | 94% | artist clears 83% at panel houses, n=71 | unsold or withdrawn |
| 35 | Liu Ye | Xiao Hong and Plum Blossom 小紅與梅花 | HK$6,000,000–HK$8,000,000 | 91% | artist clears 88% at panel houses, n=146 | sold |
| 36 | Zhang Enli | Smoker (2) 吸煙者(2) | HK$2,400,000–HK$4,000,000 | 94% | artist clears 84% at panel houses, n=65 | sold |
| 38 | Zhang Xiaogang | Bloodline - Big Family No. 7: Siblings 血緣 - 大家庭7號:姐妹 | HK$4,000,000–HK$6,000,000 | 85% | estimate 206× the artist's median hammer (the model caps this term at 32×) | sold |
| 39 | Affandi | Man with the fighting cock 男子與鬥雞 | HK$2,500,000–HK$4,500,000 | 91% | artist clears 80% at panel houses, n=87 | unsold or withdrawn |
| 40 | Zenzaburo Kojima | Chrysanthemum 菊 | HK$1,000,000–HK$2,000,000 | 91% | sits at the house rate of 88%, n=534,208 | sold |
| 41 | Bernard Buffet | Zinnias, vase à anses 花瓶中的百日菊 | HK$1,600,000–HK$2,600,000 | 87% | estimate 155× the artist's median hammer (the model caps this term at 32×) | sold |
| 42 | Chu Teh-chun | No. 36 36號構圖 | HK$3,000,000–HK$5,000,000 | 88% | estimate 100× the artist's median hammer (the model caps this term at 32×) | sold |
| 43 | Fernando Zóbel | Cuenca 昆卡 | HK$1,300,000–HK$3,000,000 | 91% | sits at the house rate of 88%, n=534,208 | sold |
| 44 | Banksy | Vest 防彈背心 | HK$2,200,000–HK$3,200,000 | 92% | artist clears 88% at panel houses, n=1,424 | sold |
Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.
Method and citation
- What is forecast. Each lot with a printed estimate is scored by TheBasis.Art's sell-probability model — a weighted logistic regression on the measured sell-through of the estimate band, the house, the artist, the sale type, the month and the category, plus the estimate's spread and its position against the artist's median hammer — trained only on houses and years whose archives record bought-in lots. Sell probability →
- The range. Expected sold is the sum of the probabilities; the 80% range is a normal approximation on that count with the binomial spread widened 1.9× for lots moving together, measured over last season's evening sales. Forecast method →
- Scoring. After the sale, over the lots the card scored: sold=false is "unsold or withdrawn" because the record cannot tell the two apart; the card is scored once half the lots have a result and is final once 95% have or 30 days have passed.
- Model. Trained on 4,926,256 panel lots through 2025-09-15, validated on 920,195 held-out lots (AUC 0.713, Brier 0.193).
- Cite as: TheBasis.Art, "Retrospective: Sotheby's, Modern & Contemporary Evening Auction, 28 September 2025", https://thebasis.art/research/forecasts/26769. Issued 2026-09-16, scored 2026-09-16.
Press and data enquiries: [email protected]. The payload behind this card is served by the data API.