Retrospective · Sotheby's scored
Contemporary Evening Auction
Sotheby's, London · 16 October 2025 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.
Result scored 2026-09-16 · final
Forecast 90% (range 76–100%). Result 89%: 24 of 27 scored lots sold, 3 unsold or withdrawn. Inside the range, 1 pts below the forecast.
Ten lowest-scored lots: 1 of 10 unsold vs 2 of 17 others (the model expected about 1 of the ten unsold).
Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →
Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.
Lowest modeled probabilities the ten lowest of 27 scored lots
| Lot | Artist | Work | Estimate | Probability | Result |
|---|---|---|---|---|---|
| 5 | El Anatsui | Hesitant Rivers | £800,000–£1,200,000 | 83% | sold |
| 8 | Hurvin Anderson | Marlene's Big Sister | £500,000–£700,000 | 85% | unsold or withdrawn |
| 22 | Gerald Laing | Dragster III | £300,000–£500,000 | 87% | sold |
| 20 | Paula Rego | Snow White Playing with her Father's Trophies | £800,000–£1,200,000 | 88% | sold |
| 17 | Yves Klein | Untitled Fire Colour Painting (FC 28) | £1,800,000–£2,500,000 | 89% | sold |
| 2 | Hernan Bas | Rotten Apple | £250,000–£350,000 | 89% | sold |
| 15 | Georg Baselitz | Kullervos Füße | £800,000–£1,200,000 | 89% | sold |
| 12 | Auguste Rodin | Pierre de Wiessant, vêtu, Grand Modèle | £600,000–£900,000 | 89% | sold |
| 13 | Auguste Rodin | Jean de Fiennes, vêtu, Grand Modèle | £600,000–£900,000 | 89% | sold |
| 9 | Jenny Saville | Muse on Stool (Study) | £350,000–£450,000 | 89% | sold |
In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.
By estimate band low estimate in USD
| Band | Lots | Expected | Low estimate |
|---|---|---|---|
| $15k–50k | 2 | 89% | $81K |
| $50k+ | 25 | 90% | $45M |
Context evening sales at Sotheby's, trailing year
Over the year before the sale (2024-10-16 to 2025-10-15), Sotheby's sold 88% of the 557 lots with a recorded outcome in its 15 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.
Every scored lot 27 lots in catalog order, each with the lot-specific factor that moved it most
Shared by every lot on this card, so not repeated in the table: house rate 88%, n=534,208 · evening sales clear 88%, n=26,459 · October sales clear 72%, n=457,310 · art lots clear 72%, n=1,435,307.
| Lot | Artist | Work | Estimate GBP | Probability | Why | Result |
|---|---|---|---|---|---|---|
| 1 | Ser Serpas | Untitled | £30,000–£40,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 2 | Hernan Bas | Rotten Apple | £250,000–£350,000 | 89% | estimate 37× the artist's median hammer (the model caps this term at 32×) | sold |
| 3 | — | Epitaph for fire and flower | £40,000–£60,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 4 | Yu Nishimura | hearing | £30,000–£40,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 5 | El Anatsui | Hesitant Rivers | £800,000–£1,200,000 | 83% | estimate 40× the artist's median hammer (the model caps this term at 32×) | sold |
| 6 | Jean-Michel Basquiat | Untitled (The Arm) | £4,500,000–£6,500,000 | 90% | artist clears 86% at panel houses, n=407 | sold |
| 7 | Andy Warhol | Four Pink Marilyns (Reversal Series) | £3,000,000–£5,000,000 | 90% | artist clears 85% at panel houses, n=5,598 | sold |
| 8 | Hurvin Anderson | Marlene's Big Sister | £500,000–£700,000 | 85% | estimate 42× the artist's median hammer (the model caps this term at 32×) | unsold or withdrawn |
| 9 | Jenny Saville | Muse on Stool (Study) | £350,000–£450,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 10 | Francis Bacon | Study for Self-Portrait | £5,000,000–£7,000,000 | 91% | artist clears 88% at panel houses, n=339 | sold |
| 11 | Francis Bacon | Portrait of a Dwarf | £6,000,000–£9,000,000 | 91% | artist clears 88% at panel houses, n=339 | sold |
| 12 | Auguste Rodin | Pierre de Wiessant, vêtu, Grand Modèle | £600,000–£900,000 | 89% | estimate 37× the artist's median hammer (the model caps this term at 32×) | sold |
| 13 | Auguste Rodin | Jean de Fiennes, vêtu, Grand Modèle | £600,000–£900,000 | 89% | estimate 37× the artist's median hammer (the model caps this term at 32×) | sold |
| 14 | Anselm Kiefer | Tempelhof | £600,000–£800,000 | 90% | artist clears 81% at panel houses, n=171 | sold |
| 15 | Georg Baselitz | Kullervos Füße | £800,000–£1,200,000 | 89% | estimate 353× the artist's median hammer (the model caps this term at 32×) | sold |
| 16 | Matthew Wong | The Visit | £1,500,000–£2,000,000 | 95% | artist clears 87% at panel houses, n=63 | sold |
| 17 | Yves Klein | Untitled Fire Colour Painting (FC 28) | £1,800,000–£2,500,000 | 89% | estimate 147× the artist's median hammer (the model caps this term at 32×) | sold |
| 18 | Lucio Fontana | Concetto spaziale, Attese | £2,000,000–£3,000,000 | 91% | artist clears 86% at panel houses, n=649 | sold |
| 19 | Anthony Gormley | Aperture XI | £300,000–£400,000 | 92% | artist clears 89% at panel houses, n=256 | sold |
| 20 | Paula Rego | Snow White Playing with her Father's Trophies | £800,000–£1,200,000 | 88% | estimate 979× the artist's median hammer (the model caps this term at 32×) | sold |
| 21 | Frank Auerbach | Head of Laurie Owen I | £300,000–£400,000 | 90% | artist clears 84% at panel houses, n=197 | unsold or withdrawn |
| 22 | Gerald Laing | Dragster III | £300,000–£500,000 | 87% | estimate 239× the artist's median hammer (the model caps this term at 32×) | sold |
| 23 | Lucy Bull | 9:59 | £300,000–£500,000 | 93% | artist clears 79% at panel houses, n=48 | sold |
| 24 | Thomas Schütte | Großer Geist Nr.6 | £2,000,000–£3,000,000 | 90% | artist clears 74% at panel houses, n=104 | sold |
| 25 | Neo Rauch | Gegenlicht | £400,000–£600,000 | 92% | artist clears 77% at panel houses, n=44 | sold |
| 26 | Daniel Richter | Die Idealisten | £350,000–£450,000 | 92% | artist clears 79% at panel houses, n=66 | unsold or withdrawn |
| 27 | Richard Serra | Elevational Weights, Vertical | £300,000–£400,000 | 93% | artist clears 90% at panel houses, n=323 | sold |
Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.
Method and citation
- What is forecast. Each lot with a printed estimate is scored by TheBasis.Art's sell-probability model — a weighted logistic regression on the measured sell-through of the estimate band, the house, the artist, the sale type, the month and the category, plus the estimate's spread and its position against the artist's median hammer — trained only on houses and years whose archives record bought-in lots. Sell probability →
- The range. Expected sold is the sum of the probabilities; the 80% range is a normal approximation on that count with the binomial spread widened 1.9× for lots moving together, measured over last season's evening sales. Forecast method →
- Scoring. After the sale, over the lots the card scored: sold=false is "unsold or withdrawn" because the record cannot tell the two apart; the card is scored once half the lots have a result and is final once 95% have or 30 days have passed.
- Model. Trained on 4,926,256 panel lots through 2025-09-15, validated on 920,195 held-out lots (AUC 0.713, Brier 0.193).
- Cite as: TheBasis.Art, "Retrospective: Sotheby's, Contemporary Evening Auction, 16 October 2025", https://thebasis.art/research/forecasts/26800. Issued 2026-09-16, scored 2026-09-16.
Press and data enquiries: [email protected]. The payload behind this card is served by the data API.