Retrospective · Sotheby's scored
The Now & Contemporary Evening Auction
Sotheby's, New York · 19 November 2025 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.
Result scored 2026-09-16 · final
Forecast 90% (range 79–100%). Result 100%: 40 of 40 scored lots sold, 0 unsold or withdrawn. Inside the range, 10 pts above the forecast.
Ten lowest-scored lots: 0 of 10 unsold vs 0 of 30 others (the model expected about 1 of the ten unsold).
Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →
Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.
Lowest modeled probabilities the ten lowest of 40 scored lots
| Lot | Artist | Work | Estimate | Probability | Result |
|---|---|---|---|---|---|
| 142 | Helmut Newton | Walking Women, Paris | $1,200,000–$1,800,000 | 86% | sold |
| 140 | Jeff Koons | Hulk (Rock) | $2,000,000–$3,000,000 | 86% | sold |
| 119 | Keith Haring | Untitled | $800,000–$1,200,000 | 86% | sold |
| 104 | Cecily Brown | High Society | $4,000,000–$6,000,000 | 87% | sold |
| 101 | Raymond Pettibon | No Title (Preparing the Ground) | $1,000,000–$1,500,000 | 88% | sold |
| 116 | Yves Klein | Sculpture éponge bleue sans titre (SE 167) | $14,000,000–$18,000,000 | 88% | sold |
| 113 | Philip Guston | The Picture | $2,000,000–$3,000,000 | 89% | sold |
| 108 | Damien Hirst | Momentary Love Blossom | $2,500,000–$3,500,000 | 89% | sold |
| 107 | Peter Doig | Ski Jacket | $1,000,000–$1,500,000 | 89% | sold |
| 110 | Cady Noland | Cowboy Eating with Shoulder Hole | $600,000–$800,000 | 89% | sold |
In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.
By estimate band low estimate in USD
| Band | Lots | Expected | Low estimate |
|---|---|---|---|
| $50k+ | 40 | 90% | $116M |
Context evening sales at Sotheby's, trailing year
Over the year before the sale (2024-11-19 to 2025-11-18), Sotheby's sold 88% of the 620 lots with a recorded outcome in its 15 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.
Every scored lot 40 lots in catalog order, each with the lot-specific factor that moved it most
Shared by every lot on this card, so not repeated in the table: house rate 88%, n=534,208 · evening sales clear 88%, n=26,459 · November sales clear 71%, n=519,833 · art lots clear 72%, n=1,435,307.
| Lot | Artist | Work | Estimate USD | Probability | Why | Result |
|---|---|---|---|---|---|---|
| 101 | Raymond Pettibon | No Title (Preparing the Ground) | $1,000,000–$1,500,000 | 88% | estimate 233× the artist's median hammer (the model caps this term at 32×) | sold |
| 102 | Henry Taylor | Before Gerhard Richter there was Cassi | $800,000–$1,200,000 | 91% | artist clears 75% at panel houses, n=87 | sold |
| 103 | Antonio Obá | Alvorada - Música Incidental Black Bird | $100,000–$150,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 104 | Cecily Brown | High Society | $4,000,000–$6,000,000 | 87% | estimate 48× the artist's median hammer (the model caps this term at 32×) | sold |
| 105 | Yu Nishimura | thicket | $80,000–$120,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 107 | Peter Doig | Ski Jacket | $1,000,000–$1,500,000 | 89% | estimate 454× the artist's median hammer (the model caps this term at 32×) | sold |
| 108 | Damien Hirst | Momentary Love Blossom | $2,500,000–$3,500,000 | 89% | estimate 597× the artist's median hammer (the model caps this term at 32×) | sold |
| 110 | Cady Noland | Cowboy Eating with Shoulder Hole | $600,000–$800,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 111 | Jess | Fig. 6–A Lamb for Pylaochos: Herko, N.Y. ’64: Translation #16 | $120,000–$180,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 112 | Andy Warhol | The American Indian (Russell Means) | $2,000,000–$3,000,000 | 90% | artist clears 85% at panel houses, n=5,598 | sold |
| 113 | Philip Guston | The Picture | $2,000,000–$3,000,000 | 89% | estimate 595× the artist's median hammer (the model caps this term at 32×) | sold |
| 114 | Barnett Newman | Untitled | $600,000–$800,000 | 90% | artist clears 74% at panel houses, n=45 | sold |
| 115 | Lucio Fontana | Concetto spaziale, Attesa | $2,000,000–$3,000,000 | 90% | artist clears 86% at panel houses, n=649 | sold |
| 116 | Yves Klein | Sculpture éponge bleue sans titre (SE 167) | $14,000,000–$18,000,000 | 88% | estimate 816× the artist's median hammer (the model caps this term at 32×) | sold |
| 117 | Frank Stella | Concentric Square | $5,000,000–$7,000,000 | 91% | artist clears 88% at panel houses, n=955 | sold |
| 119 | Keith Haring | Untitled | $800,000–$1,200,000 | 86% | estimate 200× the artist's median hammer (the model caps this term at 32×) | sold |
| 120 | Jean-Michel Basquiat | Crowns (Peso Neto) | $35,000,000–$45,000,000 | 90% | artist clears 86% at panel houses, n=407 | sold |
| 121 | Noah Davis | The Casting Call | $1,000,000–$1,500,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 122 | Simone Leigh | Sphinx | $700,000–$1,000,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 123 | Mark Tansey | Nature’s Ape | $4,000,000–$6,000,000 | 92% | artist clears 78% at panel houses, n=40 | sold |
| 124 | Roy Lichtenstein | Woman: Sunlight, Moonlight (Study) | $1,500,000–$2,000,000 | 91% | artist clears 88% at panel houses, n=1,963 | sold |
| 125 | Roy Lichtenstein | Modern Painting Triptych II | $3,500,000–$4,500,000 | 91% | artist clears 88% at panel houses, n=1,963 | sold |
| 126 | Roy Lichtenstein | Large Interior with Three Reflections (Mural Panel) (Study) | $1,000,000–$1,500,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 127 | Roy Lichtenstein | Coup de Chapeau II | $1,500,000–$2,000,000 | 91% | artist clears 88% at panel houses, n=1,963 | sold |
| 128 | Donald Judd | Untitled | $3,500,000–$4,500,000 | 91% | artist clears 88% at panel houses, n=476 | sold |
| 129 | Rashid Johnson | Anxious Red Painting August 20th | $1,000,000–$1,500,000 | 91% | artist clears 87% at panel houses, n=222 | sold |
| 130 | Frank Stella | Great Jones Street | $4,000,000–$6,000,000 | 91% | artist clears 88% at panel houses, n=955 | sold |
| 131 | Morris Louis | Dalet Mem | $1,000,000–$1,500,000 | 90% | sits at the house rate of 88%, n=534,208 | sold |
| 132 | Ad Reinhardt | Abstract Painting, Black | $1,200,000–$1,800,000 | 92% | artist clears 79% at panel houses, n=47 | sold |
| 133 | Mark Tansey | The Myth of Depth | $2,500,000–$3,500,000 | 91% | artist clears 78% at panel houses, n=40 | sold |
| 135 | Roy Lichtenstein | Brushstrokes | $4,000,000–$6,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 136 | Roy Lichtenstein | Sound of Music (Study) | $800,000–$1,200,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 137 | Roy Lichtenstein | Cubist Still Life with Vase and Flowers | $4,000,000–$6,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 138 | Roy Lichtenstein | Flower with Bamboo | $2,000,000–$3,000,000 | 92% | artist clears 88% at panel houses, n=1,963 | sold |
| 139 | Matthew Wong | The Gentle Sea | $1,200,000–$1,800,000 | 95% | artist clears 87% at panel houses, n=63 | sold |
| 140 | Jeff Koons | Hulk (Rock) | $2,000,000–$3,000,000 | 86% | estimate 455× the artist's median hammer (the model caps this term at 32×) | sold |
| 141 | Wayne Thiebaud | Revue Girl | $1,500,000–$2,000,000 | 90% | artist clears 85% at panel houses, n=532 | sold |
| 142 | Helmut Newton | Walking Women, Paris | $1,200,000–$1,800,000 | 86% | estimate 188× the artist's median hammer (the model caps this term at 32×) | sold |
| 143 | Reggie Burrows Hodges | Hurdling: Sky Blue | $300,000–$400,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 144 | Robert Alice | Block 1 (24.9472° N, 118.5979° E) | $600,000–$800,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.
Not in the forecast 1 lot carry no printed estimate
1 lot carries no printed estimate (estimate on request) and is not in the forecast. That is common at the top of an evening sale, so the value figure above understates the catalog.
| Lot | Artist | Work |
|---|---|---|
| 109 | Maurizio Cattelan | America |
Method and citation
- What is forecast. Each lot with a printed estimate is scored by TheBasis.Art's sell-probability model — a weighted logistic regression on the measured sell-through of the estimate band, the house, the artist, the sale type, the month and the category, plus the estimate's spread and its position against the artist's median hammer — trained only on houses and years whose archives record bought-in lots. Sell probability →
- The range. Expected sold is the sum of the probabilities; the 80% range is a normal approximation on that count with the binomial spread widened 1.9× for lots moving together, measured over last season's evening sales. Forecast method →
- Scoring. After the sale, over the lots the card scored: sold=false is "unsold or withdrawn" because the record cannot tell the two apart; the card is scored once half the lots have a result and is final once 95% have or 30 days have passed.
- Model. Trained on 4,926,256 panel lots through 2025-09-15, validated on 920,195 held-out lots (AUC 0.713, Brier 0.193).
- Cite as: TheBasis.Art, "Retrospective: Sotheby's, The Now & Contemporary Evening Auction, 19 November 2025", https://thebasis.art/research/forecasts/26848. Issued 2026-09-16, scored 2026-09-16.
Press and data enquiries: [email protected]. The payload behind this card is served by the data API.