Retrospective · Sotheby's scored
Old Master & 19th Century Paintings Evening Auction
Sotheby's, London · 3 December 2025 · sale page ↗. Retrospective — scored after the sale on the results as recorded; lots withdrawn before the sale are not in the record; the model that scored it was trained on data through 2025-09-15, before this sale.
Result scored 2026-09-16 · final
Forecast 89% (range 75–100%). Result 77%: 23 of 30 scored lots sold, 7 unsold or withdrawn. Inside the range, 12 pts below the forecast.
Ten lowest-scored lots: 4 of 10 unsold vs 3 of 20 others (the model expected about 1 of the ten unsold).
Counts over the lots the card scored; the per-lot scores behind them are in the API payload. How a card is scored →
Guarantees and irrevocable bids are not recorded; a guaranteed lot sells by construction. The card forecasts whether lots sell, not what they make. The range assumes lots move together as they did in the last season's evening sales.
Lowest modeled probabilities the ten lowest of 30 scored lots
In the last season's retrospectives the model's ten lowest-scored lots went unsold about as often as the rest; this is the model's ordering, not a judgment of the works.
By estimate band low estimate in USD
| Band | Lots | Expected | Low estimate |
|---|---|---|---|
| $50k+ | 30 | 89% | $30M |
Context evening sales at Sotheby's, trailing year
Over the year before the sale (2024-12-03 to 2025-12-02), Sotheby's sold 89% of the 680 lots with a recorded outcome in its 18 evening sales in the reporting panel; this sale is not in that record. That is the house's record, not a second forecast: the card above is computed lot by lot from this catalog.
Every scored lot 30 lots in catalog order, each with the lot-specific factor that moved it most
Shared by every lot on this card, so not repeated in the table: house rate 88%, n=534,208 · evening sales clear 88%, n=26,459 · December sales clear 70%, n=454,780 · art lots clear 72%, n=1,435,307.
| Lot | Artist | Work | Estimate GBP | Probability | Why | Result |
|---|---|---|---|---|---|---|
| 1 | South German School, probably Ulm, early 16th century | Portrait of the architect Moritz Ensinger (c. 1430–1482/3) | £100,000–£150,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 2 | The Master of the Sherborne Almshouse Triptych | A triptych with the five miracles of Christ | £2,500,000–£3,500,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 3 | Northern French School, early 16th century | The Presentation of the Virgin | £150,000–£250,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 4 | Albrecht Dürer | Adam and Eve | £250,000–£450,000 | 92% | artist clears 90% at panel houses, n=581 | sold |
| 5 | Hans Eworth | Portrait of Thomas Howard, 4th Duke of Norfolk (1538–1578) | £2,000,000–£3,000,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 6 | Pieter Brueghel the Younger | The Census at Bethlehem | £3,000,000–£5,000,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 7 | Lucas Van Valckenborch | The Crucifixion of Christ on Mount Calvary | £300,000–£400,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 8 | Gillis Mostaert the Elder | A village kermesse | £300,000–£400,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 9 | Lucas Van Valckenborch | Autumn: Archduke Matthias of Austria with members of his court at the Vintage | £600,000–£800,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 10 | Sir Peter Paul Rubens | The Virgin and Child with Saint Anne adored by Saints of the House of Habsburg | £2,000,000–£3,000,000 | 86% | estimate 119× the artist's median hammer (the model caps this term at 32×) | sold |
| 11 | Guido Reni | Christ Bearing the Cross | £300,000–£400,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 12 | Sir Peter Paul Rubens | Portrait study of an old man | £1,000,000–£1,500,000 | 86% | estimate 59× the artist's median hammer (the model caps this term at 32×) | sold |
| 13 | Sir Anthony Van Dyck And Studio | The Cheeke Sisters: Double portrait of Essex, Countess of Manchester (circa 1617–1658) and her sister, Anne, later Countess of Warwick and Clanricarde (1620–after 1683), three-quarter-length, in a landscape | £400,000–£600,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 14 | Frans Hals | Portrait of Verdonck brandishing a jawbone | £800,000–£1,200,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 15 | Hendrick Ter Brugghen | A singing boy playing a stringed instrument | £200,000–£300,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 16 | Rembrandt Harmensz Van Rijn | Saint John on Patmos, half-length, his folded hands resting on the cover of a book, a palm tree behind him and his emblem of an eagle to the right, his head based on the features of Titus van Rijn | £5,000,000–£7,000,000 | 90% | artist clears 86% at panel houses, n=1,008 | sold |
| 17 | Salomon Van Ruysdael | An estuary scene with smalschips on a broad reach before a gentle breeze | £400,000–£600,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 18 | Willem van de Velde the Elder | Dutch shipping under way in a moderate breeze from the anchorage off Vlieland | £1,200,000–£1,800,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 19 | David Teniers the Younger | Village landscape with herdsmen, a milkmaid, cattle, sheep and a dog, a city beyond | £80,000–£120,000 | 87% | estimate 2.8× the artist's median hammer | sold |
| 20 | Anglo-Dutch School, third quarter of the 17th century | Still life with a theorbo, a glove, a sash, a sword, books and a print of Inigo Jones (1573–1652) | £80,000–£120,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 21 | Simon Luttichuys | Still life with a façon de Venise wine glass, a bread roll, an oyster and a chestnut in a pewter dish, resting on a table | £70,000–£100,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 22 | Balthasar Van Der Ast | A still life of shells, with a wasp and a caterpillar on a stone ledge; A still life with a variagated tulip, a sprig of of bluebells and a shell on a stone ledge with a fly and a butterfly | £100,000–£150,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 23 | Osias Beert the Elder | Still life with tulips in a glass vase, with cyclamen and anemone | £100,000–£150,000 | 89% | sits at the house rate of 88%, n=534,208 | unsold or withdrawn |
| 24 | Eglon Hendrik Van Der Neer | Two boys with a mousetrap and a cat at a window | £80,000–£120,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 25 | Alexandre-françois Desportes | Still life with a dog and a cat in a garden landscape with game, flowers, a bunch of asparagus, a wicker basket of peaches and a blue and white porcelain bowl of wild strawberries | £200,000–£300,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 26 | Jean-Baptiste Pater | A military encampment with troops at rest (La Paix); The departure of the troops (La Guerre) | £150,000–£200,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 27 | Gaetano Gandolfi | The Judgement of Paris | £100,000–£150,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 29 | Joseph Mallord William Turner Ra | Venus and Adonis (Adonis Departing for the Chase) | £400,000–£600,000 | 91% | artist clears 86% at panel houses, n=111 | sold |
| 30 | Raden Saleh | A roebuck | £100,000–£150,000 | 89% | sits at the house rate of 88%, n=534,208 | sold |
| 31 | Ivan Konstantinovich Aivazovsky | Heavy Seas | £500,000–£800,000 | 89% | estimate 8.8× the artist's median hammer | sold |
Probabilities are the model's, floored at 1% and capped at 99%; the "why" column names the lot-specific factor with the largest pull — the artist, the estimate band or the estimate's position against the artist's median hammer — in the model's own vocabulary, and a lot none of them moves sits at the house rate. Within a sale the model's ordering of lots is weak (see the methodology); the sale-level figures above are where it has been validated.
Method and citation
- What is forecast. Each lot with a printed estimate is scored by TheBasis.Art's sell-probability model — a weighted logistic regression on the measured sell-through of the estimate band, the house, the artist, the sale type, the month and the category, plus the estimate's spread and its position against the artist's median hammer — trained only on houses and years whose archives record bought-in lots. Sell probability →
- The range. Expected sold is the sum of the probabilities; the 80% range is a normal approximation on that count with the binomial spread widened 1.9× for lots moving together, measured over last season's evening sales. Forecast method →
- Scoring. After the sale, over the lots the card scored: sold=false is "unsold or withdrawn" because the record cannot tell the two apart; the card is scored once half the lots have a result and is final once 95% have or 30 days have passed.
- Model. Trained on 4,926,256 panel lots through 2025-09-15, validated on 920,195 held-out lots (AUC 0.713, Brier 0.193).
- Cite as: TheBasis.Art, "Retrospective: Sotheby's, Old Master & 19th Century Paintings Evening Auction, 3 December 2025", https://thebasis.art/research/forecasts/26882. Issued 2026-09-16, scored 2026-09-16.
Press and data enquiries: [email protected]. The payload behind this card is served by the data API.